Sunday, July 12, 2015

Re-imagining the 10LS/1LB Preamp, Part 1

Front view with wooden cover

Back in 2008, I put together the 10LS/1LB Preamp. Since its original construction, I made a few on-the-fly modifications, and now after several years of occasional use, it's time to rework it to better meet the uses I have found for it, and to correct some of the shortcomings that have come to light.
Inside view

How It Turned Out

Since I didn't include many good photos in the original post, I've included some here.

I built a simple wooden cover (I can't quite call it a cabinet) to make it easier to carry.

Modifications have left some abandoned holes on the chassis. Only the largest (from the microphone input) was big enough to bother plugging.
Rear view with cover removed

Incidentally, the name "10LS/1LB" refers to the phrase "10 pounds of s**t in a 1-pound bag". The implication should be obvious from the inside view photo, especially when you consider that the small space at the lower left of the photo was once stuffed with a microphone input transformer and jack, feedthrough jack, and another potentiometer.

You can also see from the photos that lately it's been accumulating dust in a corner of the workshop area while waiting to be reborn.

Changes to the Circuit So Far

In addition to the adjustments described in my initial post on the device, I have made a few other tweaks over the years:
Amplifier board in its last incarnation

Top view with cover removed
The microphone input was essentially unusable, due to a combination of hum induced into the input transformer and noise at higher gain settings. I removed the transformer board, mic input jack and pad potentiometer to disable the feature entirely. It now functions only as an instrument preamp/DI box.
I rarely used the feed-through connection, so I removed that jack when I took out the microphone input.
Output transformer board
In an attempt to eliminate a noise source, I removed the 2 MΩ grid leak resistor from the input. This meant removing the input coupling capacitor (so that the instrument's pickup becomes the grid leak path) and trusting that there would be no DC on the instrument output. (The input jack is a shorting type, so the 5879's control grid is grounded with no input.)
Power supply board

The standby switch had an LED "on" indicator. The LED was powered through a half-wave rectifier which generated a lot of noise. I removed the standby switch circuit, and put in a simple neon lamp for power on indication.

In an attempt to reduce some of the hum from the pentode stage, I bypassed its cathode resistor with a large-value electrolytic capacitor I had on hand.  This did not make an appreciable impact on hum, so it was later removed.

A few minor adjustments were made to resistor values. I don't exactly remember all the changes or reasons.

Problems to Address

Final Schematic

Even with the heater elevation and reasonable (but not perfect) layout, 60 Hz hum is still objectionable. With the gain knob at minimum (showing only hum contribution through the triodes), the hum output is approximately -56 dBu. With gain knob at maximum (including hum contribution from pentode) it increases to -24 dBu. Maybe a DC heater supply for the pentode will be inevitable.


Yes, it's an open-loop tube amp with a pentode input, so I wasn't expecting it to be super clean, but the noise floor is a bit disappointing. Some of this can be addressed by changing the gain structure.


Since it's only used on instruments now, the gain (originally designed for mic level signals) is excessive and the triode gain stage is easily pushed into clipping. The level potentiometer is almost always used at the low end of its range, so there's probably 20dB excess gain. I suppose some negative feedback could be introduced, but I'd rather stick with my original intentions and the coloration of an open-loop pentode.

Supply Voltage

The high-voltage transformer was a bit oversized, and had a 30% voltage regulation, and therefore very high open-circuit voltage. I ended up with a supply voltage of 350V, a bit more than I should have used with the tubes I chose. At least it's easier to reduce voltage than to increase.

Plans for the Rework


The easiest way to drop the gain is to remove the triode gain stage.  Once that happens, the triode is only there for the cathode follower, which adds nothing sonically.  At that point, one may as well replace it with a MOSFET source follower.

One of the parameters of the original design was that swinging the cathode follower rail-to-rail would not generate an output signal in excess of input headroom on typical interfaces: A signal of approximately 140V, zero-to-peak (about 100 V RMS) through the 8:1 output transformer gives 12.5 V RMS out, or about 24 dBu.  +14 dB headroom above +10 dBu nominal is not unusual.

Since the pentode's output can't swing enough to cause an overload downstream, this also means we no longer need the level potentiometer!  The source follower stage can be DC coupled onto the pentode.

Power Supply

To drop the "B+", one easy fix is to change the power supply topology and make it a choke input filter rather than capacitor input.  Also, the dropping resistor between stages can be increased.

Before trying to add components for a DC heater supply to reduce hum, I will try the other fixes and see if the results are good.  By removing the triode, there may be a possibility of getting a regulated DC heater supply without changing the transformer.


Simplification of the topology to reduce gain will definitely help. Some of the resistors used were cheap carbon film (and even a carbon composition grid stopper) and can be replaced with better metal film.


Since there will only be one tube, and a simpler circuit, the pre-packaged turretboard can be removed and replaced, maybe with a PCB!

I should be able to fit everything inside the box.

In subsequent parts, I'll document my experiments and hopefully show a finished design!

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