While there seems to be insufficient proof that Lehman's tuning truly recreates anything used by J. S. Bach, it does adhere to the general goal that's implied in other historical well temperaments I've since read about: A gradual change in "coloration" of the tuning as you go around the circle of fifths, with the most "just" major third (i.e. flat of equal-tempered) occurring in the key of C and the most "Pyhagorean" major third (i.e. sharp of ET) at the other side of the circle at F♯. The width of the fifths in these temperaments appear to have been derived by trial and error to close the circle while achieving the desired thirds. Precision was of course limited by the mechanical precision of the piano and the capabilities of the human tuner.
I decided to develop a well temperament mathematically, using a cosine function to adjust the width of the fifths gradually. I used a spreadsheet to derive the thirds, and below are links (to Google Sheets) and a copy of the output, with two variations. The amount of stretch was chosen so that the widest fifths would be just (i.e. 3:2, about 701.955¢). For each of version, the flattest third (C-E) ends up about 7¢ sharp of just, and the sharpest third is about 20¢ sharp of just (but not quite Pythagorean).
Centered on C, with just fifths at C♯-G♯ and G♯-D♯:
-->
Centered between C and G, with a just fifth at G♯-D♯:
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Here are the tunings in Scala format if you would like to use them:
! Cosine C Well.scl
!
C-Centered Cosine Well
12
!
94.65884
196.61384
298.56884
393.22768
500.52384
593.22768
698.56884
796.61384
894.65884
1000.00000
1092.70384
2/1
! Cosine CG Well.scl
!
C/G-Centered Cosine Well
12
!
93.68134
197.32942
297.32942
393.68134
500.00000
592.70384
699.02250
795.37442
895.37442
999.02250
1092.70384
2/1
Incidentally, these are rather nice-looking when viewed through Scala's temperament radar:
C-Centered Cosine Well Temperament - Radar |
C/G-Centered Cosine Well Temperament - Radar |